By Jennifer Allen New York Magazine April 9, 1984 It is three days before the Broadway opening of David Mamet’s new play, Glengarry Glen Ross, one day before the critics—“crickets,” he calls them—start to come, and there is nothing for the playwright to do but wait...
By Ron Rosenbaum Vanity Fair October 1989 “I think maybe I’ve leaned too much on the clandestine thing,” Al Pacino concedes, a bit ruefully. “It was a phase I was going through.” It’s a phase he’s not entirely out of yet, at least stylistically. Tonight, for instance,...