Damn Good Fella

By Stephen Fried GQ November 1991 The scene is like something out of a colorized Citizen Kane or some surreal awards ceremony. Actor Ray Liotta stands in front of a microphone and podium, shadowy from the light of a pin-point bulb, while, on the other side of the...

The Untouchables

By Pauline Kael The New Yorker June 29, 1987 Chicago circa 1930—AI Capone’s capital of crime—looks so much better than New York City looks right now that local audiences for The Untouchables may feel somewhat chagrined. Chicago still has solid traces of Louis Sullivan...