By Helen Dudar Esquire January, 1976 Before she became Pauline Kael, before she was much more than a wonderful surprise occasionally encountered in obscure journals, before she was canonized as America’s best critic of film, Pauline Kael took an ax to the work of...
By Ross Wetzsteon New York Magazine May 4, 1992 Michael David got the call in the middle of a meeting at the Dodger Productions office at 1501 Broadway. Delicate negotiations had been going on for months, the rights were notorious for being the most closely held in...
