By Michael Sragow SF Weekly September 30, 1998 In 1974 Robert Towne was seething about the lot of his script for Chinatown, now considered his most famous work. Released that same year, the screenplay won an Oscar for Towne. When I interviewed him at the time, he was...
By Ron Rosenbaum Vanity Fair October 1989 “I think maybe I’ve leaned too much on the clandestine thing,” Al Pacino concedes, a bit ruefully. “It was a phase I was going through.” It’s a phase he’s not entirely out of yet, at least stylistically. Tonight, for instance,...
By Grover Lewis Rolling Stone March 15, 1973 After 20 years of playing a comic strip character called Superstud, Mitchum at last is being recognized as the gifted actor he has always been. He is a master of stillness. Other actors act. Mitchum is. He has true delicacy...
By Nicholas Pileggi The New York Times Magazine August 15, 1971 As was his custom before the drive home from work with his son, the old man walked across the narrow, tenement‐lined street in Manhattan’s Little Italy to buy some fresh fruit. The grocer, who had known...
By Brad Darrach Playboy June 1972 Roaring like a stegosaurus, a yellow monster crashed into a green country store and knocked the front out. A church spire tilted silently and fell off like a hat. Bricks exploded, dust hid the sun. With a flash and a boom, a big brass...
By Mark Kram Esquire November 1989 How civilized the fame game was then, a timid, furtive glimpse for the observer, the observed cordoned off by a dreamlike distance of respect. Worship knew its place; so did greatness. It was caught sharply once by a young American...
By Michael Sragow The Boston Phoenix March 5, 1985 Now that it’s arrived in its uncut, 227-minute, director-approved form, Sergio Leone’s Once Upon a Time in America emerges as a pulp masterwork—at once the simplest and most indescribable of movies. In a sense, it’s...