By Greil Marcus From Mystery Train 1975 These days, Elvis is always singing. In his stage-show documentary, Elvis on Tour, we see him singing to himself, in limousines, backstage, running, walking, standing still, as his servant fits his cape to his shoulders, as he...
By John Schulian The Chicago Daily News 1977 Long before he established himself as the Ring Lardner of the Pepsi generation, Dan Jenkins wrote about sports for the blighted Fort Worth Press. He had to rise at 4 every morning to put out the paper’s first edition, and...
By Nik Cohn From Awopbopaloobop Alopbamboom 1969 Next came the Fab Four, the Moptop Mersey Marvels, and this is the bit I’ve been dreading. I mean what is there possibly left to say on them? In the beginning, I should say, the Beatles were the Quarrymen, and then they...
By Ellen Willis From The Rolling Stone Illustrated History of Rock & Roll 1980 Janis Joplin was born in 1943 and grew up in Port Arthur, Texas. She began singing in bars and coffeehouses, first locally, then in Austin, where she spent most of a year at the...
By Lucy Sante From Give Our Regards to the Atomsmashers! 2004 In a corner of my office, on top of a bookcase, lies a hunting horn—a sort of bugle, curved in the manner of a French horn. It has occupied a place in my inner sanctum wherever I’ve lived since childhood....
By James Wolcott Texas Review May 1982 Coffee and Coca-Cola, the crackling hiss of food on the fry, the ring of laughter in a bustling room—Diner, written and directed by Barry Levinson, is a bittersweet reverie about the pleasures of noshing and chumming about until...
By Charles Simic From Writers at the Movies 2000 Only recently, with their issue on videotape, have all the films of Buster Keaton become widely available. It’s likely one may have seen The General (1926) in some college course, or caught a couple of shorts at some...
By Pauline Kael The New Yorker November 26, 1984 Stop Making Sense makes wonderful sense. A concert film by the New York new-wave rock band Talking Heads, it was shot during three performances at the Hollywood Pantages Theatre in December, 1983, and the footage has...
By Seymour Krim From Shake it For the World, Smartass 1965 I met Kerouac only twice, both for brief periods of not more than 15 minutes, and communication between us was abrupt and unreal. What I wrote about the man and writer was the result of feeling, experience and...
By Pauline Kael The New Yorker November 17, 1986 For seven decades of romantic screwball comedies, sexy, smart, funny women have been waking up heroes who, through fear or shyness or a stuffy educational background, were denying their deepest impulses. The women...
By Michael Sragow The Boston Phoenix March 5, 1985 Now that it’s arrived in its uncut, 227-minute, director-approved form, Sergio Leone’s Once Upon a Time in America emerges as a pulp masterwork—at once the simplest and most indescribable of movies. In a sense, it’s...
By Seymour Krim The New York Times November 1973 Both articles are collected in Krim’s You and Me. Part One: Won’t You Come Home, Jimmy Breslin? A friend of mine who works for UPI airmailed Jimmy Breslin’s The Gang That Couldn’t Shoot Straight yesterday (two pesetas...
