David Mamet’s Hard Sell

By Jennifer Allen New York Magazine April 9, 1984 It is three days before the Broadway opening of David Mamet’s new play, Glengarry Glen Ross, one day before the critics—“crickets,” he calls them—start to come, and there is nothing for the playwright to do but wait...

Al Pacino: Out of the Shadows

By Ron Rosenbaum Vanity Fair October 1989 “I think maybe I’ve leaned too much on the clandestine thing,” Al Pacino concedes, a bit ruefully. “It was a phase I was going through.” It’s a phase he’s not entirely out of yet, at least stylistically. Tonight, for instance,...

Hot Chicago

By Bill Zehme Vanity Fair November 1984 This year Chicago delivered to Broadway the two most important new American plays of the season, David Mamet’s Glengarry Glen Ross, which won a Pulitzer Prize, and David Rabe’s star-studded Hurlyburly. Both plays originated in...

The Bustling Days and Rum-and-Coke Nights of Barney Rosset

By John Marchese 7 Days September 6, 1989 Barney Rosset is being kissed. He leans forward toward her lips, which are delicately painted. His old hands clasp her young hands—right in left, left in right. She is small and slender. So is he. Later, after she smiles...

The Untouchables

By Pauline Kael The New Yorker June 29, 1987 Chicago circa 1930—AI Capone’s capital of crime—looks so much better than New York City looks right now that local audiences for The Untouchables may feel somewhat chagrined. Chicago still has solid traces of Louis Sullivan...