By Paul Solotaroff The National Sports Daily April 1991 In the candlelit quiet of Jim Brown’s living room, the unkillable Tee Rogers stands up and tells the hardboys that he is tired of all the death. Tee Rogers, the granddaddy of L.A. gangsters, whose resume reads,...
By John H. Richardson Premiere October 1989 Joel and Ethan Coen’s new movie, Miller’s Crossing, opens with an oddly poignant shot of a hat blowing through an autumn forest. A little later, Tom, the hero, tells Verna, his mistress, that he dreamed he was walking in the...
By Michael Sragow The Boston Phoenix March 5, 1985 Now that it’s arrived in its uncut, 227-minute, director-approved form, Sergio Leone’s Once Upon a Time in America emerges as a pulp masterwork—at once the simplest and most indescribable of movies. In a sense, it’s...
By Pauline Kael The New Yorker June 29, 1987 Chicago circa 1930—AI Capone’s capital of crime—looks so much better than New York City looks right now that local audiences for The Untouchables may feel somewhat chagrined. Chicago still has solid traces of Louis Sullivan...
