By Pauline Kael The New Yorker June 1, 1987 The title Tampopo, which is Japanese for “dandelion,” is the name of a fortyish widow (Nobuko Miyamoto) who is trying to make a go of the run-down noodle shop on the outskirts of Tokyo that her late husband operated. The...
By Pauline Kael The New Yorker November 17, 1986 For seven decades of romantic screwball comedies, sexy, smart, funny women have been waking up heroes who, through fear or shyness or a stuffy educational background, were denying their deepest impulses. The women...
