By Harry Stein The Stacks Reader July 1973 Harry Stein’s father, Joseph Stein, is most famous for writing Fiddler on the Roof; he also worked in the legendary writers room for Sid Caesar in the 1950s, which included Mel Brooks. In the summer of 1973, Harry found...
By Helen Dudar Esquire January, 1976 Before she became Pauline Kael, before she was much more than a wonderful surprise occasionally encountered in obscure journals, before she was canonized as America’s best critic of film, Pauline Kael took an ax to the work of...
By Alex Belth Bronx Banter April 30, 2012 Robert Ward is a novelist, journalist, and screenwriter. He recently published Renegades, a collection of his magazine work from the 1970s and was kind enough to take time out of his busy schedule for a chat. Alex...
By Robert Ward New Times June 25, 1976 The out-of-work mechanic with the beer gut, and the four turquoise rings, and the Gene Autry (pink and lime green) cowboy shirt with real pearl buttons, and the mutton chops, and the straight-back greased-down hair, and the big...
By Lawrence Wright New Times June 12, 1978 … The sun was a golden globe, half-hidden, and as we drove along it appeared to be some giant golden elephant running along the horizon and I felt so good I remembered something Johnny Sain used to talk about. He used to say...
By John Eskow New Times October 30, 1978 The face is a harbormaster’s face, or a potato farmer’s, or a lobsterman’s: sharp, prominent nose, articulate features, eyes meant for pinpointing danger. At 39, the body is aching but supple. As he enters the sepulchral...
