By Ross Wetzsteon American Film May 1984 “Tell the guys in the crew to use my trailer while I’m gone.” It’s a star’s trailer, parked outside War Memorial Stadium in Buffalo, New York, Glenn Close is shooting The Natural with Robert Redford and Robert Duvall. It’s a...
By Robert Ward American Film May 1985 Maury Dann, the country singer, is sitting in a restaurant with his entourage. It’s one of those cheap little Formica-table places in Alabama, the kind of hard-light joint that says “All You Can Eat” outside. Maury is a...
By Robert Ward American Film March 1983 Character actor Frank Pesce has a problem. He is supposed to be standing in the rain with this menacing look on his face, pointing a rod at Gene Hackman. He is playing the gunsel who backs up surly Mickey Rourke, crazy Joe...
By Eve Babitz American Film 1987 Whenever I think about James Woods, it is either as the affront he was in Split Image, where he plays the cure almost worse than the disease for a family who wants to have their kid deprogrammed from some Moonie-type cult, or else—and...
By Richard Price American Film December 1982 Over the marquee of a beat-up two-dollar movie house in Times Square, there’s an ancient faded sign: “Get More Out of Life—See a Movie.” The visual contrast between that sentiment and the desperate seediness surrounding it...
