By Helen Lawrenson Cosmopolitan February, 1970 Ever since his first film (Splendor in the Grass) ten years ago, Warren Beatty has been one of the most talked about figures in Hollywood—and the least understood. It is an open secret that the reason Bonnie and Clyde...
By Jennifer Allen New York Magazine January 24, 1983 Arthur Miller is slouched in the drafty rehearsal hall on the top door of the New Amsterdam Theatre, on 42nd Street. Miller is tired to his bones. He lifts his round, black-framed glasses and rubs his eyes with his...
By Robert Ward American Film May 1985 Maury Dann, the country singer, is sitting in a restaurant with his entourage. It’s one of those cheap little Formica-table places in Alabama, the kind of hard-light joint that says “All You Can Eat” outside. Maury is a...
By Seymour Krim Playboy June 1969 I was literally made, shaped, whetted and given a world with a purpose by the American realistic novel of the mid- to late 1930s. From the age of 14 to 17, I gorged myself on the works of Thomas Wolfe (beginning with Of Time and the...
By Mark Kram Esquire November 1989 How civilized the fame game was then, a timid, furtive glimpse for the observer, the observed cordoned off by a dreamlike distance of respect. Worship knew its place; so did greatness. It was caught sharply once by a young American...
By Robert Ward Rolling Stone March 3, 1983 “He drank too much and smoked too much. He granted too many interviews full of cynical observations about himself and his business. He made too many bad movies and hardly any of the kind that stir critics to rapture or that,...