By Helen Lawrenson Cosmopolitan February, 1970 Ever since his first film (Splendor in the Grass) ten years ago, Warren Beatty has been one of the most talked about figures in Hollywood—and the least understood. It is an open secret that the reason Bonnie and Clyde...
By Ron Rosenbaum The Village Voice July 29 1971 Why interview Troy Donahue anyway? “Believe me, you won’t believe Toy when you see him,” the press agent tells me. “He’s a bearded hippie! And believe me he is fantastic in this picture. He plays Charles Manson! Actually...
By Jon Bradshaw New York January 10, 1977 The Quality Inn is an inferior hostelry in the upper reaches of Regent Street. Two men entered the inn and took a booth toward the back. The taller man, a playwright, carried a large leather bag. For reasons which later...
By Brad Darrach Penthouse September, 1972 Robert Mitchum slipped into his slate-gray shades and glared warily at Yale University. “A cat like me in a place like this,” he muttered, “could get busted for mopery with intent to gawk.” As he scowled back at the scowling...
By Helen Dudar Esquire January, 1976 Before she became Pauline Kael, before she was much more than a wonderful surprise occasionally encountered in obscure journals, before she was canonized as America’s best critic of film, Pauline Kael took an ax to the work of...
By Brad Darrach People September 3, 1979 A sunburst blonde lolls on lavender satin sheets. Her mouth is large, scarlet, half-open. Her blank blue eyes smolder like sapphires in candlelight. “My beauty,” she murmurs breathily as her sensuous snout writhes with allure,...
By John Eskow Rolling Stone August 23, 1979 There is a deceptive air of chaos at the Mork & Mindy rehearsal. Robin Williams grabs his crotch and stomps around the room, mocking himself in a street-kid growl: “I gotcha shazbot, right here, buddy. Yeah, here’s...
By Jon Bradshaw New York September 6, 1976 Don Bolles wanted to be the best reporter in Arizona. That was all he wanted. It had always been enough for him. By all accounts he was an old-fashioned man, steeped in such Calvinist beliefs as industry, thrift, and piety....
By Nicholas Pileggi The New York Times Magazine March 29, 1970 “A street guy like T is a different kind of person. Everything for a guy like that, for, a member, is different. They’re in that private world of their own and that’s all they want to know. They’re in it...
By Grover Lewis Rolling Stone March 15, 1973 After 20 years of playing a comic strip character called Superstud, Mitchum at last is being recognized as the gifted actor he has always been. He is a master of stillness. Other actors act. Mitchum is. He has true delicacy...
By Jon Bradshaw New York December 29, 1975/January 5, 1976 It was practically dawn and the weather, he noted with particular pique, was diabolic. On mornings like these, he preferred to rise late. He liked to walk down to the Yale Club and play a little squash. He...
By John Eskow New Times May 29, 1978 Karl Wallenda plunges to his death, and the man beside me booms out “Gawd!” In the slow-motion TV replay, Wallenda’s last-second grab for the wire seems to sum up everyone’s will to live, in one gesture. Then he falls. It’s a...
