The Marlboro Man

By Frank Rich New Times September 16, 1973 With his latest movie, The Long Goodbye, Robert Altman is once again asking for trouble—and once again there’s every reason to believe he’s going to get it. In the American film industry, this director is the ultimate...

Full Tilt Bozo

By John Eskow Rolling Stone August 23, 1979 There is a deceptive air of chaos at the Mork & Mindy rehearsal. Robin Williams grabs his crotch and stomps around the room, mocking himself in a street-kid growl: “I gotcha shazbot, right here, buddy. Yeah, here’s...

“May I Kiss You on the Forehead, Sam?”

By Jon Bradshaw New York December 29, 1975/January 5, 1976 It was practically dawn and the weather, he noted with particular pique, was diabolic. On mornings like these, he preferred to rise late. He liked to walk down to the Yale Club and play a little squash. He...

Cher And Altman on Broadway

By Jennifer Allen New York Magazine February 1, 1982 Cher had been careful to chew two of the quarter-size vitamin pills before swallowing them, she says, but they tasted so bitter that she decided to down the third one whole. It jammed, horizontally, in her windpipe,...

The Lady in the Dark

By Phillip Lopate New York Woman November 1989 Pauline Kael has just turned seventy. An important birthday; her house in the Berkshires is filled with flowers from well-wishers. “I don’t want you to get the wrong idea that there are always this many flowers around,”...

Lauren Bacall: Remembrances of Bogie and Other Things Past

By Helen Dudar Writers Bloc 1979 New York  Given the nature of movie imagery, which is strong, persistent, and sometimes indelible, we may be pardoned if we think of Lauren Bacall as a woman who combines steely independence with a sassy, unflinching social ease....

The Stacks Chat: Robert Benton

By Alex Belth Esquire Classic August 2016 Robert Benton is best known as a screenwriter (Bonnie and Clyde, What’s Up Doc?,and Superman), and director (The Late Show, Kramer vs. Kramer, and Nobody’s Fool), but before he lost it at the movies, Benton was the art...

Pauline Kael Wants People to Go to the Movies

By George Malko Audience January/February 1972 If fate ever condemns you to suffer through a really bad movie, pray that some quirk of same puts you in a seat next to Pauline Kael. She cannot make what is happening up there on the screen go away, but she can jolt you...