Catherine the Great

By Joan Juliet Buck Vanity Fair April, 1989 “Do you blow your money? I mean, just blow it?” she asked. “There’s a vertigo in going too far—the thrill that produces—especially if it’s likely to put you in an impossible situation. And then, cash worries are easier to...

The Stacks Chat: Derek Cianfrance

By Alex Belth The Stacks Reader May 20, 2020 When you watch a movie by Derek Cianfrance you know you are witnessing something deeply personal. No mistaking that. There is nothing light or frivolous in his work. Best known for his features Blue Valentine, A Place...

Cher And Altman on Broadway

By Jennifer Allen New York Magazine February 1, 1982 Cher had been careful to chew two of the quarter-size vitamin pills before swallowing them, she says, but they tasted so bitter that she decided to down the third one whole. It jammed, horizontally, in her windpipe,...

Swifty Lazar Is a Big Deal

By Jennifer Allen New York Magazine July 18, 1983 The beautiful lady and the reporter sit facing each other on wicker sofas in the lady’s small but elegant Los Angeles office. They are silent, sheepish, like schoolgirls who have been collared in the hall by a teacher...

Don’t Sweat the Technique

By Alex Belth The Stacks Reader April 23, 2020 John Huston was thirty-five when he made his directorial debut with The Maltese Falcon. He was 81 when he directed his last movie, The Dead. Which begs the question—has any director had a better start and finish? When...

Annabella Sciorra Surveys Life After Success

By Helen Dudar The New York Times October 4, 1992 To anyone who has been keeping a careful watch, it would seem as if Annabella Sciorra has been making movies almost without pause. In fewer than four years, she has appeared in seven films, in small and large roles,...

Jerry Goes to Death Camp!

By Bruce Handy Spy May, 1992 To artists and intellectuals, the twentieth century has posed no questions more vexing than these: First, can art make sense of the Holocaust? And second, why do the French love Jerry Lewis? The first question can’t really be answered, at...

Oh, You Beautiful Doll

By Jennifer Allen Life December 1981   At rush hour on this dusky autumn afternoon taxis and buses clog the streets of lower Manhattan; the sidewalks are jammed with weary workers heading home. But it’s business as usual here in the executive offices of LJN Toys....

The Making of “The Godfather”—Sort of a Home Movie

By Nicholas Pileggi The New York Times Magazine August 15, 1971 As was his custom before the drive home from work with his son, the old man walked across the narrow, tenement‐lined street in Manhattan’s Little Italy to buy some fresh fruit. The grocer, who had known...

Holed Up With Nolte

By Fred Schruers The Movies November 1983 “Come on in.” Nick Nolte is planted on the overstuffed couch that is one of three surviving pieces of furniture in the sitting room of his hotel suite. Wisps of acrylic batting, thousands of them, dot the blue rug and cling to...

James Earl Jones At Bat

By Helen Dudar The New York Times March 22, 1987 Just before the opening night curtain rises on Fences on Thursday, a voice in the corridor will call “five minutes,” and James Earl Jones will make his way to the darkest corner of the stage. There, he will stand, rapt,...

Jerry Lewis, Birthday Boy

By O’Connell Driscoll Playboy January 1974 “And then they say, ‘Now, ladies and gentlemen, here’s the star of our show,’ and we both come out and go for the microphone, and you grab it and start right in, ‘Good evening, folks, it’s so great to be here in Miami,’ and I...