By Harry Stein Esquire June 1976 Harry Ritz will say it himself, but he prefers that others say it for him. “As far as I’m concerned,” says Mel Brooks, “Harry Ritz was the funniest man ever. His craziness and his freedom were unmatched. There was no intellectualizing...
By Brad Darrach Playboy February 1975 “The rich,” according to a Spanish proverb, “laugh carefully.” They have a lot to lose. The poor, on the other hand, need to laugh in order to forget how little they have to laugh about—which may be why the Depression was the last...
By Seymour Krim Nugget June 1963 We come, with mixed feelings, to the Case of Lenny Bruce. You probably have an opinion—who doesn’t?—but sit still long enough to hear ours. First, so that no matter how finky you finally think our stand is, let it be triple-clear that...
By Peter Richmond GQ July 1992 The lights are rheostated low inside a customized bus parked on Tenth Avenue in Manhattan at nine o’clock on a winter dark evening. Two candle flames dance on a table. Eddie Murphy stares at them, without speaking. Hammer just dropped...
By Alex Belth The Stacks Reader The origins of “The Gookie,” from one of the great showbiz memoirs, Harpo Speaks! The man who first inspired me to become an actor was a guy called Gookie. Gookie had nothing to do with the theatre. He rolled cigars in the window of a...
By David Hirshey Rolling Stone April 1981 Out of the blue, in the middle of the action, an extremely clever comic actor began counting, very slowly, and with great concentration: one, two, three, four … enunciating each of the numbers with the utmost...
By Paul Slansky Playboy July 1983 It’s Thanksgiving Eve in NBC studio 6-A, and Albert Brooks is talking about bowling. “In every bowling alley, there’s a room just a little bit larger than this desk called the pro shop,” he tells David Letterman. “It’s full of balls...
By Paul Slansky New Times January 1978 Martin Mull’s manager has forgotten to make a reservation, so we stand in the entrance to the Universal commissary waiting for an empty table while stars like Lily Tomlin and Sly Stallone march past us to immediate seating. “I...
By Joe Morgenstern The New York Times Magazine November 11, 1990 On a movie set, Robin Williams wears two heads. When the camera rolls, he is an actor of great authority and accomplishment. Between takes, he is himself, or a stand-up version of himself, giving little...
By Mike Sager GQ September 1994 “Good evening, folks,” says the comic, freeing the microphone from its stand, charting a course across the stage, his shadow following. His right hand searches the pocket of his baggy pants, puddled atop weary moccasins. The cool mesh...
By Charles Simic From Writers at the Movies 2000 Only recently, with their issue on videotape, have all the films of Buster Keaton become widely available. It’s likely one may have seen The General (1926) in some college course, or caught a couple of shorts at some...
By Paul Slansky The Village Voice March 1979 On February 4, 1974, Albert Brooks walked on the stage of The Tonight Show for the 22nd time. His past performances had included some of the funniest bits ever seen on the show: an impressionist whose imitation of various...
