Magnificent Obsession

By John Richardson Premiere, December, 1997 “I’m getting bored here,” Cameron is saying. “I went for popcorn 10 minutes ago.” He is speaking into a handheld cordless microphone, his voice booming down from the astonishingly crisp overhead speakers like the voice of...

Brooke on the Brink

By Stacy Title New York Woman, October, 1990 The very sight of Brooke Shields, the six-foot icon slash model slash actress, puts people into shock. Whatever they’re doing, they stop. Here in the Pan Am terminal at La Guardia, wearing a fitted, floral dress—magenta and...

Cronenberg Does Burroughs

By John H. Richardson Premiere, February, 1992 David Cronenberg is demonstrating a typewriter out of every writer’s worst nightmare—a huge fat beetle with legs the size of celery sticks, wings as big as plates, and typewriter keys for teeth. Between the wings is a...

How to Be Jamie Lee Curtis

By Gail Sheehy US, July 15, 1985 Show up at the opening-night party for Perfect in a strapless Betty Boop dress that makes you smile. Feel cute. Feel sweet. Don’t vamp out. Shimmy into the club like you’re doing it on tiptoes, because tonight, Jamie Lee Curtis,...

“Hul-lo, This is Ca-ry Grant”

By Diane K. Shah, GQ, January, 1986 “Yeah,” I said into the telephone. “Diane Shah?” “Yeah.” It was ten-fifteen in the morning. I was in the office filling out an expense report, a chore that always makes me grumpy. I am never in the office at this hour, so I figured...

American Dreamer

By Elizabeth Kaye Smart, May 1990 Old bodybuilders fade away, open gyms of their own, or become religious fanatics. These are grim potentials, indeed, and unsuitable to Arnold Schwarzenegger, a dubious icon who determined, at age ten, to be “one of the top percent in...

Hope and Glory

By Pauline Kael The New Yorker, October 5, 1987 It’s hard to believe that a great comedy could be made of the blitz, but John Boorman has done it. In his new, autobiographical film, Hope and Glory, he has had the inspiration to desentimentalize wartime England and...

At Large with Bill Murray

By Harold Conrad Smart, July–August 1989 “In the end, everything is a gag.” —Charlie Chaplin It is 4:30 a.m. on a Saturday in January. Bill Murray has just driven his Jeep from Malibu to Palm Springs. I am waiting in his suite at Maxim’s de Paris, an ultrafancy spot...